Author: sharkonaut

  • das fahrrad

    I provided the soundtrack for a short commercial for a sustainability agency and played a few notes on the guitar. Nothing fancy, but I still think it’s quite nice. 

  • der kuss

    I provided the soundtrack for a short commercial for a sustainability agency and played a few notes on the piano. Nothing fancy, but I still think it’s quite nice. 

  • blutsgeschwister

    I did dialogue recording (ADR) and sound design for a commercial spot. You can watch the spot here at it disappeared from social media a while ago. It was done for the clothing company Blutsgeschwister which still exists till today.

  • post mortem

    post mortem

    My third LP Production together with my colleague Daniel took place near Bremen on a small farm at the country side. That was quite a contrast between Death Metal tunes and chippy birds. It was definitely not that relaxing as I hoped it to be. And to be honest: it was my first and last death metal production. 🙂

  • first aid

    first aid

    I was still wet behind the ears. While working as a FOH engineer at Mad’n’Crazy, I got to know the band FIRST AID. Max and his guys were really nice and invited me to their rehearsal room in Pankow shortly afterwards. We had a few beers and got down to business. We went out to Max’s grandfather’s place in Vechta, where I produced my first CD, supervised the recordings, and then mixed and mastered the whole thing. I used to listen to Iron Maiden a lot, and FIRST AID reminded me of them a little. It was really exciting, even if I did despair at times. It was my first CD production and first credit on Discogs after all. Here’s a little sample:

  • foh engineer at lido

    In the 1960s, the Lido in Berlin was a so-called border cinema. In 2006, I was given the opportunity to work as a FOH engineer on the LIDO team following renovation work. It was exciting to see how the conversion into a live venue took place. The entire building had to be acoustically separated from the adjacent building, and several airlocks were installed to comply with noise protection regulations. My work began in May 2006 with British Music Week, and I got to know many great artists. But the team from the KARRERA KLUB with Kalle and Spencer were also great colleagues. Here is an excerpt of some of the bands I mixed there as a FOH engineer until 2007: You say party we say die, Johnossi, Gus Black, The Subways, Disco Ensemble, Spitting off tall buildings, Morton Valence, Kat Frankie, …

  • is watt

    is watt

    When I completed my training as an audio engineer in May 2005 and decided with my fellow student Daniel to open a recording studio in Berlin’s industrial park, we spent the first year dealing with bureaucracy and securing financing. Then we traveled across Germany to discover talent for our first productions! And bro, I wasn’t disappointed when I drove back to my old home town and went to the old Niko Rock concert in Felsberg! There I discovered Robert, Thomas, and Patrick and invited them straight to Berlin! We had a fantastic 14 days in our studio and the result was a brilliant album! Here’s a quick preview, otherwise stream, buy, download…

  • home sweet europe

    home sweet europe

    HEIMAT EUROPA was a project to engage in european identity organized by KMGNE. I did the sound design and boom operation for that short movie. Actors in a leading role were Jean Denis Römer, Ingmar Skrinjar and Mareike Wenzel. The movie was directed by Nicolas Flessa and Daniela Görig.

  • young european patriots

    young european patriots

    HEIMAT EUROPA was a project to engage in european identity organized by KMGNE. I did the sound design for that short movie and gave one of my songs. I wish there was better quality. But the internet was slow back in 2006. The actors who played in the movie are Claus Worenski, Olga Feger and Alexander Milo, The movie was directed by Rada Mateva, Julia Hertäg and Lea Gamula. Camera assistance was the award winning Ben Bernhard.

  • melankol

    melankol

    In 2006, I worked as a sound engineer at the Kreuzberg Musical Action studio. In addition to a musical project, I also created a radio play there with participants in a musical qualification program. The radio play is in German.