While hanging out in the bars of Kreuzberg sometime between 2008 and 2009, I met a spanish artist who was working on a video installation for an exhibition in Madrid about Francisco de Goya. I offered to do the sound design and set her animated images to music, creating a short acoustic journey through Goya’s works. In addition to my own sounds, I also used recordings from freesound.org. This is a great resource for royalty-free samples and sounds, where anyone can make their own recordings available.
Tag: Sound Design
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das fahrrad
I provided the soundtrack for a short commercial for a sustainability agency and played a few notes on the guitar. Nothing fancy, but I still think it’s quite nice.
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der kuss
I provided the soundtrack for a short commercial for a sustainability agency and played a few notes on the piano. Nothing fancy, but I still think it’s quite nice.
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blutsgeschwister
I did dialogue recording (ADR) and sound design for a commercial spot. You can watch the spot here at it disappeared from social media a while ago. It was done for the clothing company Blutsgeschwister which still exists till today.
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home sweet europe
HEIMAT EUROPA was a project to engage in european identity organized by KMGNE. I did the sound design and boom operation for that short movie. Actors in a leading role were Jean Denis Römer, Ingmar Skrinjar and Mareike Wenzel. The movie was directed by Nicolas Flessa and Daniela Görig.
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young european patriots
HEIMAT EUROPA was a project to engage in european identity organized by KMGNE. I did the sound design for that short movie and gave one of my songs. I wish there was better quality. But the internet was slow back in 2006. The actors who played in the movie are Claus Worenski, Olga Feger and Alexander Milo, The movie was directed by Rada Mateva, Julia Hertäg and Lea Gamula. Camera assistance was the award winning Ben Bernhard.
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melankol
In 2006, I worked as a sound engineer at the Kreuzberg Musical Action studio. In addition to a musical project, I also created a radio play there with participants in a musical qualification program. The radio play is in German.
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gevatter tod
I produced my first radio play in 2004 together with my fellow student Götz as part of my training as an audio engineer at the SAE Institute in Berlin. We used Logic 5 on a MacPro in a digital studio equipped with a Tascam D24 mixing console. The aim was to learn about effects, the sound design of radio plays, and recording sounds in the “field”
The radio play is in german though…